A freshly thrown stoneware vase with carved vertical texture sitting on the potter's wheel

Logan, Utah · Wheel-thrown · Cone 10 stoneware

Handmade pottery from Logan, Utah.

Mugs, bowls and platters thrown in small batches in Logan, Utah, and fired to cone 10. Made to be used every day, and to last.

Shop the collection Commission a piece
  • Fired to cone 10
  • Building a salt kiln
  • Wheel-thrown in Logan, UT
  • Food safe functional stoneware
  • Small batches · no two alike
  • Glazes formulated in-studio

Shop · Available now

Featured pieces

Shopping for a gift? Read the 2026 handmade pottery gift guide →

Numoku Cup, a speckled blue-grey stoneware cup

Numoku Cup

$20
Numoku glaze Add to cart
Numoku Platter, a wide amber and white stoneware serving platter

Numoku Platter

$200
Numoku glaze · Serving size Add to cart
The Red Everyday Dish held up against spring blossoms

The Red Everyday Dish

$15
Iron red · Everyday use Add to cart
Red Bottle, an iron red stoneware bottle held among blossoms

Red Bottle

$45
Iron red glaze Add to cart

The work · What sets it apart

Clay, glaze and fire, all by hand.

Every piece passes through Adam's hands again and again before it leaves the studio. Here is what that means for the pot on your table.

Adam glazing test tiles made from wild clay in the studio
01 · Rooted in place

The next glazes start with the land.

Adam digs wild clay around northern Utah and fires it on test tiles. Nothing in the shop is made with it yet.

Follow the research
Three tall glazed cups with amber, brown and white runs, the middle one in focus
02 · Glazed in the studio

Every glaze is mixed by hand.

Recipes are tested and recorded firing after firing. Numoku and the iron reds in the shop came out of that work.

See the process
A hand holding a small stoneware bowl against blossoms
03 · Made to be used

Fired to cone 10 for every day.

Thrown in small batches and high-fired into dense, durable stoneware that handles the dishwasher and the microwave.

Shop pieces

Swipe for more →

The kiln build · Follow along

Building a salt kiln, brick by brick.

Adam is building his own salt kiln in Logan, bringing together a background as a builder and years of ceramics study at Utah State University. The build is documented as it happens, along with glaze tests, wild clay experiments and firings.

Why salt firing Read the blog
Cone 10Firing temperature
SaltKiln in progress
Logan, UTStudio
Adam at the wheel in his Logan studio surrounded by tools and freshly thrown pots
Adam Corbridge holding a large white stoneware pitcher

Meet Adam · Potter and builder

A potter and builder in Logan, Utah.

Adam found the wheel in high school, won three national student awards at NCECA in 2015, and studied ceramics at Utah State University, where he was first invited into salt firings.

Today he throws functional stoneware in small batches in his Logan studio and fires it to cone 10. Between firings he is testing wild Utah clay and building a salt kiln of his own. Read Adam's story

What people are saying

Pieces that get used, and noticed.

“

Adam Corbridge is truly a master of his craft. His eye for design and function has him creating pieces that are not only beautiful, but perfectly fitting for their use. And the quality is unmatched. Each unique and a work of art.

J & K Bennett
“

He's made huge serving platters for us, large pasta bowls, and little tiny bowls. Whenever we've had a request, he makes it and fires it. He's a true craftsman and extremely dedicated to formulating and recording his processes and glazes.

Arthur Taylor
“

Each of Adam's pieces are unique and high quality. His attention to detail and eye for design and functionality is showcased in each piece. Guests in our home always comment on how beautiful they are.

Nora C.

FAQ

Good questions

Do you make everything by hand?
Yes. Every piece is thrown on the wheel, trimmed, glazed and fired by Adam in his Logan studio, in small batches.
Are your pots food safe?
Yes. Functional pieces are made with food-safe glazes and fired to full maturity at cone 10, so they're meant for real meals, not just the shelf. Adam's full answer →
Can I put your pottery in the dishwasher or microwave?
Yes. High-fired stoneware handles the dishwasher and the microwave. Hand washing keeps the surface at its best over the years, and avoiding sudden temperature shocks, like a cold pot going into a hot oven, protects any piece of handmade pottery. Adam's full answer →
Do you take custom orders or commissions?
Yes. Dinnerware sets, serving platters and special-occasion pieces are all welcome. Send a note with what you have in mind and a rough timeline, and Adam will reply with options and pricing.
Why do pieces look slightly different from one another?
Every piece is thrown, glazed and fired by hand, and glaze moves a little differently depending on its thickness and where the pot sits in the kiln. That variation is intentional. Subtle differences in color and glaze movement are evidence of how each piece was made.
How can I stay updated on new work?
Join the monthly newsletter above, or follow along on YouTube, Instagram and TikTok for the kiln build, glaze tests and new pieces.

Commissions & contact

Have a piece in mind?

Custom dinnerware, a serving platter for the holidays, a set of mugs for a café, or just a question about the work. Adam reads every message.

  • Commissions are quoted per piece and scheduled around kiln firings.
  • Studio visits in Logan by appointment.
  • Wholesale and café orders welcome.

Fill out the form below

Throwing days are not clean days. This is about as tidy as my hands get by the time a pot is this tall. All that slick stuff is slurry, basically clay and water that works loose while I'm pulling the walls up. It's fine on my hands, but on the pot i
Glaze day with a batch of mugs. These went into a cone 6 firing with Potter’s Choice glazes, brushed on one coat at a time. I ended up putting three to four coats on each mug, which takes some patience, but it also gives me a lot of control ov
These cups are going under plastic. Clay shrinks as it dries. If the rim dries faster than the base, the top shrinks while the bottom is still soft, the two pull against each other, and the rim splits. Wrapping pots loosely in plastic slows everythi
Every square foot counts in this studio. The wheel is tucked against the wall, the water bucket stays within reach, and most of my tools live right above the wheel on a pegboard. The pug mill sits on a rolling table so I can move it out of the way w
This is the most fragile this mug will ever be. Unfired clay is called greenware, and it's really just dried mud holding a shape. Knock the rim and it chips. Pick it up by the handle and the handle can snap off. Get it wet and it starts turning back
Albany Slip Brown is named after a clay that was dug out of the ground near Albany, New York. For more than a century, potters used that clay by itself as a glaze. At high temperature it melts on its own into a glossy dark brown, which is why so man
This square of plywood is called a bat, and it's how a wet pot gets off the wheel without getting squished. It locks onto the wheel head, the pot gets thrown on top of it, and when the pot is done the whole board lifts off with it. Nobody has to pic
This is bisque, the in-between stage. Pots get fired once at a low temperature so they're hard enough to handle and porous enough to soak up glaze, then fired again, hotter, with the glaze on. #PotteryProcess #UtahPottery #CeramicArtist #CorbridgePot
Sometimes you just need to make the thing that doesn’t exist. Sarah loves having a lot of ice and water with dinner, but she could never find a cup that was actually big enough for the amount she wanted. So I made her some custom-sized tumbler
Not everything I fire gets listed. These did. A pitcher, a few bowls, a small dish, and some cups, all high fired. That phrase matters more than it sounds. High fire means the clay itself has gone dense and nearly glass-like, so it doesn't soak up w